WRITER & HISTORIAN
As the nine-year-old Edward VI rode through London on the way to his coronation in Westminster Abbey in February 1547, he paused for a while to watch a man perform on a tightrope strung from the steeple of St Paul’s. He might have been advised to study the man who rode ahead of him too.... Continue Reading →
I'm delighted to have recorded another episode for Suzannah Lipscomb's brilliant podcast, Not Just the Tudors, this time on Sir Walter Ralegh and the tragic fantasy of El Dorado. It's available to listen to here. My previous episode, in which we discussed the Dissolution of the Monasteries, is available to listen to here. Not Just... Continue Reading →
It is July 1571, and Elizabeth I is sitting for a portrait in “the open ally of a goodly garden”, almost certainly at Hampton Court. The portrait is “in little” – what we would now call a watercolour miniature, although the latter term didn’t enter the English language until Sir Philip Sidney introduced it from... Continue Reading →
If, as every self-help book will tell you, persistence really were the key to success, Thomas Churchyard would surely have been the most successful writer of the sixteenth century. Reader, he was not – but it was not for want of trying. One measure of Churchyard’s distant familiarity with fame is that Matthew Woodcock’s Thomas... Continue Reading →
Saturday 30 September saw a unique staging of Thomas Nashe’s only extant whole-authored play, Summer’s Last Will and Testament, in the Great Hall of the Bishop’s Palace in Croydon, where it was first performed in the early autumn of 1592. The performance was a joint venture between the Edward’s Boys company, from the King... Continue Reading →
So High A Blood explores in detail the life of Margaret, Countess of Lennox, a Tudor princess without whom, perhaps, there would have been no Stewart succession and no subsequent union between England and Scotland. Born in 1515, Margaret was the daughter of Margaret Tudor, the eldest daughter of Henry VII, by her second husband... Continue Reading →
The leader of a small military force – perhaps 500 strong – is determined to subdue a province, and to do so quickly. Terror is his explicit policy. Every inroad he makes into enemy territory is followed by indiscriminate slaughter and destruction. Every man, woman and child is killed. Houses, churches, crops – everything is... Continue Reading →
Last week saw the launch of Andy Kesson’s brilliant new book John Lyly and Early Modern Authorship, which makes an eloquent and powerful case for both the quality of Lyly’s work and its importance to early modern literature as we understand it. It is full of fascinating insights into literary and print culture and commerce... Continue Reading →
Further to my earlier review of the National Portrait Gallery exhibition, Elizabeth I and her people, I thought I'd just post two contrasting portraits of Ralegh. The first, on the left, is a Hilliard miniature from 1584. The second is a close-up photo I took of the 1588 portrait currently on display at the NPG.... Continue Reading →
Those whose interest lies outside the Tudor era could be forgiven for exasperation at the extent to which the long sixteenth century still dominates our nation’s cultural life. But the new exhibition at the National Portrait Gallery – Elizabeth I and Her People, which runs until January 5 2014 – is nevertheless good enough to... Continue Reading →
Last year I reviewed Nancy Bilyeau's excellent début Tudor thriller, The Crown which is set during the dissolution of the monasteries. Its sequel, The Chalice, is being published in the UK by Orion on February 28; and in North America by Simon & Schuster on March 5. Nancy has kindly agreed to take part in... Continue Reading →
I have a piece just up on the History Today blog this morning about Horse Guard's Parade, the venue for the Olympic beach volleyball tournament and also the site of Elizabeth I's Accession Day tilts.
The September issue of BBC History magazine carries a really nice review of the paperback edition of The Favourite. I'm particularly pleased with this, since it's by Tracy Borman, whose Elizabeth's Women: The Hidden Story of the Virgin Queen is wonderful. Tracy writes: The Favourite explores the complex, "narcotic" relationship between Elizabeth and Ralegh, and... Continue Reading →
It is convenient for historians to conceive of history in neat discrete categories, but all too often that approach both obscures continuities and suggests that events are less brutally random than they are. There are, for instance, many ways of writing about the influence of the English Reformation and the dissolution of the monasteries on... Continue Reading →
There is no known portrait of Richard Topcliffe, the man most associated with the torture and persecution of Catholics in Elizabethan England. In some respects that is as it should be: those who break human bodies on behalf of the state are usually anonymous, ordinary figures, extraordinary only in the apparent disjunction between their personal... Continue Reading →
The capture and torture of Southwell is a perfect example of Topcliffe’s full-service approach to persecution: it was his own handiwork through and through, and took extensive planning and thought. Southwell, a Norfolk man, had left England for the Catholic English College at Douai in the summer of 1576. He was not yet 15. Two... Continue Reading →
Contrary as always, Ben Jonson could cast horoscopes – but didn’t believe in them. What, then, would he have made of his own? In some ways, perhaps, he was born lucky: winter offered the worst chances of survival for an Elizabethan baby; Jonson was born in midsummer. Even so, he was fortunate to survive. One... Continue Reading →
It is impossible to know what Elizabeth I thought or felt about the fact that her father, Henry VIII, had executed her mother, Anne Boleyn, on charges of adultery with, among others, Elizabeth’s uncle and Anne’s brother. It is entirely possible, given that she was not yet three when her mother died, that she had... Continue Reading →
I blogged a couple of weeks ago about Sir Thomas Smith, late in life and in poor health, complaining about how difficult it was to work for Elizabeth I. (I also quoted his trenchant observation on the implications of the Ridolfi plot here.) Smith is a fascinating example of those apparently minor figures in Tudor... Continue Reading →
I have written elsewhere – see for instance my post on the life of Thomas Kyd – on the way in which the more or less arbitrary survival of documentary evidence distorts our ideas about the shape and richness of Elizabethan culture. And for us, looking back, the theatre of the period looks like a... Continue Reading →
Mathew Lyons 