History Today: Nicholas Hilliard: Life of an Artist by Elizabeth Goldring

It is July 1571, and Elizabeth I is sitting for a portrait in “the open ally of a goodly garden”, almost certainly at Hampton Court. The portrait is “in little” – what we would now call a watercolour miniature, although the latter term didn’t enter the English language until Sir Philip Sidney introduced it from... Continue Reading →

Renaissance Studies: Thomas Churchyard: Pen, Sword & Ego by Matthew Woodcock

If, as every self-help book will tell you, persistence really were the key to success, Thomas Churchyard would surely have been the most successful writer of the sixteenth century. Reader, he was not – but it was not for want of trying. One measure of Churchyard’s distant familiarity with fame is that Matthew Woodcock’s Thomas... Continue Reading →

TLS: Summer’s Last Will and Testament by Thomas Nashe

  Saturday 30 September saw a unique staging of Thomas Nashe’s only extant whole-authored play, Summer’s Last Will and Testament, in the Great Hall of the Bishop’s Palace in Croydon, where it was first performed in the early autumn of 1592. The performance was a joint venture between the Edward’s Boys company, from the King... Continue Reading →

TLS: So High A Blood by Morgan Ring

So High A Blood explores in detail the life of Margaret, Countess of Lennox, a Tudor princess without whom, perhaps, there would have been no Stewart succession and no subsequent union between England and Scotland. Born in 1515, Margaret was the daughter of Margaret Tudor, the eldest daughter of Henry VII, by her second husband... Continue Reading →

John Lyly and Early Modern Authorship: an interview with Andy Kesson

Last week saw the launch of Andy Kesson’s brilliant new book John Lyly and Early Modern Authorship, which makes an eloquent and powerful case for both the quality of Lyly’s work and its importance to early modern literature as we understand it. It is full of fascinating insights into literary and print culture and commerce... Continue Reading →

Review: Elizabeth I and her people – National Portrait Gallery exhibition

Those whose interest lies outside the Tudor era could be forgiven for exasperation at the extent to which the long sixteenth century still dominates our nation’s cultural life. But the new exhibition at the National Portrait Gallery – Elizabeth I and Her People, which runs until January 5 2014 – is nevertheless good enough to... Continue Reading →

The Dutch Church: the dissolution and its tragic aftermath

It is convenient for historians to conceive of history in neat discrete categories, but all too often that approach both obscures continuities and suggests that events are less brutally random than they are. There are, for instance, many ways of writing about the influence of the English Reformation and the dissolution of the monasteries on... Continue Reading →

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