WRITER & HISTORIAN
Pop music doesn’t go in much for redemption as a rule, but Bunyan’s life is – characteristically – resolutely atypical. She seems like Hermione, Leontes’ wife in The Winters’ Tale, turned to stone for twenty years and then returned, movingly, to life. If you’re reading this, the chances are that you’re familiar with the outlines... Continue Reading →
Eunuchs had sung for centuries in the Byzantine church, but it isn’t until the 1550s that records of castrati begin to appear in western Europe. The first known to enter the Sistine Chapel choir was a Spaniard in 1562; Sixtus V authorised their recruitment for St Peter’s in a bull of 1589. By the end... Continue Reading →
If you stand outside the former Augustinian priory of St Bartholomew the Great in the City of London before evensong, twice a month, you can hear the sound of late medieval London. It is the only active church in the country to have a ring of five bells cast before the Reformation – in this... Continue Reading →
The first note known to have sounded on Earth was an E natural. It was produced some 165 million years ago by a katydid, a kind of cricket, rubbing its wings together – a fact deduced by scientists from the insect’s remains, preserved in amber. Consider too the love life of the mosquito. When a male... Continue Reading →
Where do you begin with something that has no beginning? The drone – music characterised by the stasis of a constant tone – is so old a concept it might not be an idea at all, but simply a human refraction of the sound of the universe. It is there in the Om chant of... Continue Reading →
Silent Night is one of the best-known songs in the world. It has been translated into over 200 languages and one version alone, Bing Crosby’s 1937 recording, sold over 30 million copies. But who knows anything of its authors? The lyrics to Silent Night were written by a somewhat loose-living Austrian priest named Joseph Mohr... Continue Reading →
When I was ten or so, I discovered my older brother’s copy of the NME Encyclopaedia of Rock, published in pre-punk 1976. Partly, I suppose, because I looked up to my brother so much, I read it religiously and swallowed its opinions wholesale. It wasn’t complimentary about Hawkwind: “One critic has described a typical Hawkwind... Continue Reading →
The visions began when Hildegard of Bingen was young – perhaps as young as three. But unlike many mystical religious experiences, the visions did not come in dreams or ecstatic states; ecstasy, she thought, was a defect. They came like a cloud of light inside her on which forms and shadows moved while her eyes... Continue Reading →
In ‘The Ghastly Ordeal of Timothy Cavendish’, one of the stories that make up Cloud Atlas, David Mitchell’s best-known work, the eponymous narrator is in a taxi when he hears a song on the radio "about how everything that dies some day comes back". (The song isn’t named, but it’s Bruce Springsteen’s Atlantic City.) Popular... Continue Reading →
It’s early 1974, British band Henry Cow is in the studio recording its second album, Unrest. One track features a 40-foot tape loop. Another is based on the Fibonacci sequence, a structural device borrowed from Karlheinz Stockhausen. The track is in 55/8 time. Henry Cow’s ethos is based on creating music it isn’t yet competent... Continue Reading →
A couple of years ago I was lucky enough to hear legendary English folk singer Shirley Collins perform. One of the songs she sang was ‘Awake, Awake’, written by Thomas Deloney in 1580 but seemingly forgotten until Ralph Vaughan Williams heard it sung by an elderly Herefordshire woman in July 1909. Long dead on the... Continue Reading →
Mathew Lyons 