History Today: Hans Holbein: The Artist in a Changing World by Jeanne Nuechterlein

In Augsburg’s Staatsgalerie Altdeutsche Meister there is a three-paneled painting illustrating the life of St Paul, painted by local artist Hans Holbein the Elder in 1504. Commissioned for the city’s Dominican convent of St Katherine, it includes, in its left panel, a self-portrait of the artist with his two sons, Hans and Ambrosius – nicknamed,... Continue Reading →

History Today: Nicholas Hilliard: Life of an Artist by Elizabeth Goldring

It is July 1571, and Elizabeth I is sitting for a portrait in “the open ally of a goodly garden”, almost certainly at Hampton Court. The portrait is “in little” – what we would now call a watercolour miniature, although the latter term didn’t enter the English language until Sir Philip Sidney introduced it from... Continue Reading →

Renaissance Studies: Thomas Churchyard: Pen, Sword & Ego by Matthew Woodcock

If, as every self-help book will tell you, persistence really were the key to success, Thomas Churchyard would surely have been the most successful writer of the sixteenth century. Reader, he was not – but it was not for want of trying. One measure of Churchyard’s distant familiarity with fame is that Matthew Woodcock’s Thomas... Continue Reading →

BBC History: Henry Fitzroy – the forgotten Tudor prince

Henry Fitzroy was born in the summer of 1519 – almost certainly in June – at the small Augustinian Priory of St Laurence at Blackmore in Essex. His mother was Elizabeth Blount, herself not yet 20, who came from minor Shropshire gentry. Elizabeth had entered service as one of Catherine of Aragon’s maids of honour... Continue Reading →

TLS: Summer’s Last Will and Testament by Thomas Nashe

  Saturday 30 September saw a unique staging of Thomas Nashe’s only extant whole-authored play, Summer’s Last Will and Testament, in the Great Hall of the Bishop’s Palace in Croydon, where it was first performed in the early autumn of 1592. The performance was a joint venture between the Edward’s Boys company, from the King... Continue Reading →

Mary, Countess of Pembroke: poetry, patronage and power

This is, more or less, the text of the talk I gave earlier this month at the Wilton History Festival. Mary, Countess of Pembroke, and her sons William and Philip, were the most influential patrons of the Elizabethan and Jacobean era. Let’s begin with a story to illustrate that assertion. For the moment, we will... Continue Reading →

Of God and Jonson: theatre history, new things and non-events

I was fortunate to be able to attend some of the superb Before Shakespeare conference at Roehampton last week. I came away with a range of thoughts and ideas, some of which I hope to pursue in one form or another. Perhaps the thing that struck me most, however, was Bill Ingram’s opening talk. Ingram... Continue Reading →

TLS: So High A Blood by Morgan Ring

So High A Blood explores in detail the life of Margaret, Countess of Lennox, a Tudor princess without whom, perhaps, there would have been no Stewart succession and no subsequent union between England and Scotland. Born in 1515, Margaret was the daughter of Margaret Tudor, the eldest daughter of Henry VII, by her second husband... Continue Reading →

History Today: Shakespeare in London by Hannah Crawforth, Sarah Dustagheer and Jennifer Young

The world might be forgiven for rolling its eyes at the prospect of another book on Shakespeare. Does Shakespeare in London, the latest addition to the Bloomsbury Arden list,  have anything new to say? The answer is a confident yes. Shakespeare in London is a short book with big ambitions. It weaves together various narratives... Continue Reading →

New Statesman: Heart of darkness: from the time-honoured barbarity of the Tudors in Ireland to Islamic State

The leader of a small military force – perhaps 500 strong – is determined to subdue a province, and to do so quickly. Terror is his explicit policy. Every inroad he makes into enemy territory is followed by indiscriminate slaughter and destruction. Every man, woman and child is killed. Houses, churches, crops – everything is... Continue Reading →

History Today: Herodotus, Camden and the reclamation of history

I have recently been reading Tom Holland’s superb new translation of Herodotus’ Histories. I am by no means an authority on classical writers, but I have always enjoyed Herodotus. He is so irrepressibly inquisitive and, in every sense, a pleasure to read. Holland has always been a fine writer, both in the clarity and subtlety... Continue Reading →

History Today: Shakespeare, the Blackfriars and the theatre of experience

It has always bemused me that there is so little formal – or, for that matter, informal – dialogue and collaboration between historians and literary scholars. Each are aware of the others’ work, certainly; but the intellectual, cultural and administrative inheritances that maintain the academic silos of schools and faculties surely seem increasingly outdated in... Continue Reading →

The Massacre At Paris: Kit Marlowe, the Rose Playhouse and me

As some friends may know, I spent last week acting in the final six performances of The Dolphin’s Back production of Christopher Marlowe’s The Massacre at Paris at the Rose Playhouse on London’s South Bank. The offer to do so came out of the blue, so much so that - as much out of surprise... Continue Reading →

History Today: All was not feigned

In May Brighton College, an independent fee-paying school, announced its intention to make the study of history compulsory for all pupils through to 18. Whatever one’s view of the decision, the fact that it was considered unusual and innovative enough to make the national newspapers should give us – and anyone interested in the practice... Continue Reading →

History Today: How chances it they travel?

One of the many criticisms leveled at Michael Gove’s revision of the history curriculum was that is would reduce lessons to little more than the recitation and memorializing of facts, to what Sir Philip Sidney called ‘the bare was of history. But the simpler a statement of fact is, the more it deceives us of... Continue Reading →

John Lyly and Early Modern Authorship: an interview with Andy Kesson

Last week saw the launch of Andy Kesson’s brilliant new book John Lyly and Early Modern Authorship, which makes an eloquent and powerful case for both the quality of Lyly’s work and its importance to early modern literature as we understand it. It is full of fascinating insights into literary and print culture and commerce... Continue Reading →

Sex, money and morality: Thomas Middleton’s A Trick To Catch The Old One

Few people would disagree that Shakespeare's shadow has served to obscure a great number of superb plays and playwrights. But Thomas Middleton has a good case for being the most unjustly neglected of them all. I was delighted to discover, therefore, that Mercurius, the independent production company run by my friend Jenny Eastop, was planning... Continue Reading →

Review: God’s Traitors: Terror and Faith in Elizabethan England by Jessie Childs

The daily lives of catholics in England under Elizabeth I and James I have long been neglected by historians. True, much as been written about the various attempts against Elizabeth during her reign – most obviously the Babington ‘complotment’ which resulted in the execution of Mary, Queen of Scots – and, of course, the Gunpowder... Continue Reading →

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