The late 16th century was a precarious time to be involved in – or just to meet anyone involved in – the theatre. There was cash flow, of course. And the threat of closure, on either political or health-and-safety grounds. But there were other risks too. One of them was death. For a small group... Continue Reading →
John Payne Collier: literary fraud, literary slug
John Payne Collier. Three words sure to chill the heart of any scholar working on early-modern literary texts. Why? Because Collier was that most interesting of phenomena: a fine scholar who was also a first-class fraud. It is to posterity’s chagrin that he lived to the age of 94 – Collier died on 17 September... Continue Reading →
Mary, Countess of Pembroke: poetry, patronage and power
This is, more or less, the text of the talk I gave earlier this month at the Wilton History Festival. Mary, Countess of Pembroke, and her sons William and Philip, were the most influential patrons of the Elizabethan and Jacobean era. Let’s begin with a story to illustrate that assertion. For the moment, we will... Continue Reading →
Of God and Jonson: theatre history, new things and non-events
I was fortunate to be able to attend some of the superb Before Shakespeare conference at Roehampton last week. I came away with a range of thoughts and ideas, some of which I hope to pursue in one form or another. Perhaps the thing that struck me most, however, was Bill Ingram’s opening talk. Ingram... Continue Reading →
Ben Jonson: his early life and how it shaped him
Contrary as always, Ben Jonson could cast horoscopes – but didn’t believe in them. What, then, would he have made of his own? In some ways, perhaps, he was born lucky: winter offered the worst chances of survival for an Elizabethan baby; Jonson was born in midsummer. Even so, he was fortunate to survive. One... Continue Reading →
Shakespeare, Catholicism and pre-Reformation festive culture
It is hard to overstate the volume and variety of entertainers whom one might have encountered on England’s roads in the early 1500s. But then, it’s a phenomenon that we’re viewing through the filter of what occurred later, around the turn of the century and after, when theatrical and performance culture was forcibly narrowed, shaped... Continue Reading →
Thomas Kyd: fragments of a life
The life and work of Thomas Kyd offer a perfect example of the problems posed by the erosion of evidence over time – see my post here – since what little we do know seems wholly arbitrary in its survival, yet also hints at the enormity of what we have lost. Kyd, a prosperous scrivener’s... Continue Reading →
More on the Shakespeare authorship question
Many thanks to those who have taken the time to comment on my previous post on the Shakespeare authorship controversy. Since one of those, from Howard Schumann – sorry I can't work out how to link to it – is from an Oxfordian perspective, I thought I should reply more fully. My general point is... Continue Reading →
Who’s to blame for the Shakespeare authorship controversy?
Thank God. Someone (Dispositio, here, hat-tip Dainty Ballerina) is writing something sensible on the Shakespeare Authorship issue. The whole blog is worth reading, and the basic argument – more needs to be done to counter the conspiracy theorists – is surely right. But I was particularly pleased to see someone say this: “the entire authorship... Continue Reading →