Of God and Jonson: theatre history, new things and non-events

I was fortunate to be able to attend some of the superb Before Shakespeare conference at Roehampton last week. I came away with a range of thoughts and ideas, some of which I hope to pursue in one form or another. Perhaps the thing that struck me most, however, was Bill Ingram’s opening talk. Ingram... Continue Reading →

Travelling players, minstrelsy, Shakespeare and spies

Sometime in the early 1600s, the Warwickshire antiquarian Sir Simon Archer transcribed a document dated St Matthew’s Day – 21 September – 1444 and signed by John Talbot, second earl of Shrewsbury (and the hero of 1 Henry VI). In it, Talbot confirmed the rights of all Shropshire minstrels to gather in Shrewsbury each year... Continue Reading →

Richard Tarlton: the greatest star of the Elizabethan theatre

I have written elsewhere – see for instance my post on the life of Thomas Kyd – on the way in which the more or less arbitrary survival of documentary evidence distorts our ideas about the shape and richness of Elizabethan culture. And for us, looking back, the theatre of the period looks like a... Continue Reading →

Who’s to blame for the Shakespeare authorship controversy?

Thank God. Someone (Dispositio, here, hat-tip Dainty Ballerina) is writing something sensible on the Shakespeare Authorship issue. The whole blog is worth reading, and the basic argument – more needs to be done to counter the conspiracy theorists – is surely right. But I was particularly pleased to see someone say this: “the entire authorship... Continue Reading →

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