MGM, at its zenith in the 1940s, used to boast that it had more stars than there are in heaven on its roster. It’s a phrase that came back to me walking round the current, jaw-droppingly good exhibition at the British Library, Anglo-Saxon Kingdoms: Art, Word, War. By the time I was half way through... Continue Reading →
Summer’s Last Will and Testament by Thomas Nashe
Saturday 30 September saw a unique staging of Thomas Nashe’s only extant whole-authored play, Summer’s Last Will and Testament, in the Great Hall of the Bishop’s Palace in Croydon, where it was first performed in the early autumn of 1592. The performance was a joint venture between the Edward’s Boys company, from the King... Continue Reading →
Mary, Countess of Pembroke: poetry, patronage and power
This is, more or less, the text of the talk I gave earlier this month at the Wilton History Festival. Mary, Countess of Pembroke, and her sons William and Philip, were the most influential patrons of the Elizabethan and Jacobean era. Let’s begin with a story to illustrate that assertion. For the moment, we will... Continue Reading →
Of God and Jonson: theatre history, new things and non-events
I was fortunate to be able to attend some of the superb Before Shakespeare conference at Roehampton last week. I came away with a range of thoughts and ideas, some of which I hope to pursue in one form or another. Perhaps the thing that struck me most, however, was Bill Ingram’s opening talk. Ingram... Continue Reading →
Shakespeare in London by Hannah Crawforth, Sarah Dustagheer and Jennifer Young
The world might be forgiven for rolling its eyes at the prospect of another book on Shakespeare. Does Shakespeare in London, the latest addition to the Bloomsbury Arden list, have anything new to say? The answer is a confident yes. Shakespeare in London is a short book with big ambitions. It weaves together various narratives... Continue Reading →
Country Life, Shakespeare and midsummer madness
Like most people, I suspect, I was surprised by the news that someone had discovered a contemporary portrait of Shakespeare. And bemused, too, that they would chose to reveal the fact in Country Life. My heart sank, though, when I saw that the case relied on ciphers. I am sure there are carefree souls for... Continue Reading →
Shakespeare, the Blackfriars and the theatre of experience
It has always bemused me that there is so little formal – or, for that matter, informal – dialogue and collaboration between historians and literary scholars. Each are aware of the others’ work, certainly; but the intellectual, cultural and administrative inheritances that maintain the academic silos of schools and faculties surely seem increasingly outdated in... Continue Reading →
How chances it they travel?
One of the many criticisms leveled at Michael Gove’s revision of the history curriculum was that is would reduce lessons to little more than the recitation and memorializing of facts, to what Sir Philip Sidney called ‘the bare was of history. But the simpler a statement of fact is, the more it deceives us of... Continue Reading →
John Lyly and Early Modern Authorship: an interview with Andy Kesson
Last week saw the launch of Andy Kesson’s brilliant new book John Lyly and Early Modern Authorship, which makes an eloquent and powerful case for both the quality of Lyly’s work and its importance to early modern literature as we understand it. It is full of fascinating insights into literary and print culture and commerce... Continue Reading →
History and myth: JRR Tolkien, a Roman temple and a ring
The last few days has seen a rash of media coverage for an exhibition at The Vyne in Hampshire which features a Roman ring said to have led Tolkien to incorporate a ring myth into the Middle Earth of The Hobbit and The Lord of the Rings. I wrote about this – the story of... Continue Reading →
Thomas Kyd: fragments of a life
The life and work of Thomas Kyd offer a perfect example of the problems posed by the erosion of evidence over time – see my post here – since what little we do know seems wholly arbitrary in its survival, yet also hints at the enormity of what we have lost. Kyd, a prosperous scrivener’s... Continue Reading →
More on the Shakespeare authorship question
Many thanks to those who have taken the time to comment on my previous post on the Shakespeare authorship controversy. Since one of those, from Howard Schumann – sorry I can't work out how to link to it – is from an Oxfordian perspective, I thought I should reply more fully. My general point is... Continue Reading →
Who’s to blame for the Shakespeare authorship controversy?
Thank God. Someone (Dispositio, here, hat-tip Dainty Ballerina) is writing something sensible on the Shakespeare Authorship issue. The whole blog is worth reading, and the basic argument – more needs to be done to counter the conspiracy theorists – is surely right. But I was particularly pleased to see someone say this: “the entire authorship... Continue Reading →